TODAY: "Frost/Nixon"
If it weren't for the fact that the names are so familiar as politicians, the title of Peter Morgan's play could be mistaken for a boxing match-up: Frazier/Ali. Mayweather/De La Hoya. It wouldn't be far off target, either, for the conflict at the heart of "Frost/Nixon" feels very much like a face-off between two heavyweights.
I'm pretty sure 92% of my readers remember the interviews British talk show host David Frost conducted with Richard Nixon, the first interviews he gave (or rather, sold) following his resignation. For the two of you who don't, here's the brief: after Richard Nixon resigned in disgrace, every journalist with an eye to furthering their career wanted to bag the most important interview in a generation. Whoever could convince Richard Nixon to sit down and tell his side of the story was going to be a famous man. At the time (I was 18), I remember wondering why David Frost of all people would be the one to interview Nixon. Why not Walter Cronkite? Or Mike Wallace? I remember Frost had a reputation for being a bit of a lightweight. It would be like having Al Roker get the gig of interviewing Ahmedinejad on the day he decided to conduct Iran's first test of a nuclear weapon. (Well, not quite that, but I think you get the point.)
Still, Frost got the gig. This play is not about HOW he convinced Nixon to sit down with him (the Nixon camp thought he would be a pushover compared to Mike Wallace, and Frost was offering more money than CBS), but about how Frost and Nixon prepare for, and perform in the interviews. It's about the posturing and the deals and the negotiations surrounding the production of the interviews.
And it's bloody fascinating. I don't want to go into the resonances the piece calls up re our current president (but one gets a distinct chill when Frank Langella's Nixon says "If the President does it, then it isn't illegal. That's what I believe."), but if you liked the movie "The Queen," (also written by Peter Morgan), you'll like "Frost/Nixon."
When these two men finally get into the "ring," the play (which already had my full attention) kicks into another gear, and it's a ball to imagine what the real confrontation must have been like. For all his faults, Richard Nixon wasn't a pushover, and David Frost, while initially seen as a lightweight chat show host, ultimately more than held his ground. Michael Sheen plays Frost as a bundle of charm and ambition, and though Frank Langella's portrayal of Nixon seems to be getting more attention, I actually preferred Sheen's work. Although Langella does a passable impression of Nixon (especially when he's doing bits that there are video records of), I was struck by the fact that occasionally he sounded less like Richard M. Nixon than Thurston Howell, III.
I could pick nits with the stage design (the video wall just seems so 1995) and the rather ordinary staging, but overall I was enthralled.
TOMORROW: "Curtains"
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