As one might expect from the title, the primary character in
this 70-minute play is Leonard Pelkey.
Don’t expect, however, to see Leonard onstage. For even though this is his story and every
other character spends most of their time talking about him, he never
appears. For as we learn in the first
few minutes, Leonard Pelkey disappeared, ten years before the action – such as
it is – begins.
Leonard’s story is told in flashbacks, primarily by the
small-town police officer who investigated the missing persons case, but also
by Leonard’s adoptive mother and sister, and an array of other townsfolk whose
lives were changed forever by knowing a little boy who knew just how different
he was, and that his small town would never really accept him, but never shied
from being exactly who he was.
The script sometimes veers into cliché and the story it lays
out is relatively simple: the mystery being that there is really no mystery
here. This isn’t necessarily a bad
thing, for the mundane nature of what ultimately happened to Leonard is a
powerful reminder of how casual cruelty can be.
But in the opening moments, the story is set up as being a cold case
that we expect will be reopened in the present.
Spoiler alert: this doesn’t happen, we simply get the story of what
happened in an investigation that opened and closed over the course of several
weeks a decade in the past.
Still, Leonard – though we never meet him – is a compelling
character: a 14-year old boy who refuses to be anything less than what he is,
even though it means daily teasing and abuse.
He’s the boy who insists that the women who frequent his mother’s beauty
shop that they “simply must, must, must
have” a little black dress in their closets.
“He said it was de rigeur,” one of the shop’s clients says. “I think that’s French for ‘must have.’”
Perhaps the best reason to see The Absolute Brightness of Leonard Pelkey is the performance by
James Lecesne, who plays every one of the dozen or so characters. Lecesne
physically inhabits a wide range of people – a sharp but somewhat jaded 16-year
old girl, a fey British theater school owner, a video game obsessed teenage
boy, a snoopy older woman – imbuing all with physical and emotional
characteristics and distinctive voices that let us know exactly who we’re
listening to in every moment.
The Absolute
Brightness of Leonard Pelkey is playing at the Westside Theater, 407 W. 43rd
Street (between 9th and 10th), New York. Tickets are on
sale for shows through November 1.
No comments:
Post a Comment